Endymion

The project began with the idea of designing an hortus conclusus, aiming to rediscover a place through the reactivation of its history and forgotten uses. Endymion is a garden that introduces new natural presences into the city: plants, animals, water, fire, and wind.

The design of the garden is based on the ways in which nature interacts with the city. The installation was born from the desire to create a space capable of conveying an experience that engages multiple senses. Our intention is to create an installation made of essential elements and minimal interventions.

Three objects accompany and complete Endymion’s planted garden, which can be reinterpreted as an allegory of the Greek myth of humanity’s quest for the ideal garden. Designed in dialogue with the site’s history, each object represents a different way of inhabiting space.

I. FLAG. Studio SNCDA envisioned a monumental flag to transform the former parade ground into an “urban square” and to highlight the presence of the garden. With its highly silvery, almost molten-metal appearance, the flag amplifies the light within the garden.

II. CHIMNEY. Fire provides a warm shelter around which people can gather close to the embers. The contemplation of flames creates new moments of exchange and collective reverie.

III. FOUNTAIN. On rainy days, water runs down the slope of a pipe and collects in a basin. Its surface reflects the surrounding landscape, serving both as a watering point and as a playful ground.

THE GARDEN. In the context of climate crisis, recurring droughts will gradually lead to the creation of dry gardens. Endymion acts as a wake-up call, proposing an alternative approach to resource and planting management.

It questions the status of the territory as well as the relationship between architecture, dwelling, nature, landscape, and the city. The garden is conceived as a constellation of plants, arranged heterogeneously in communities or families that, when planted together, foster the balance of the ecosystem while requiring minimal maintenance. The study and selection of plants were guided by the need to preserve a certain tonal palette, allowing the garden to function both in daylight and at night.

Picture taken during construction - @LUGA

@LUGA

Picture taken during construction - @LUGA

@LUGA

STUDIO SNCDA + TIJD EN VLIJT

Studio SNCDA is an architecture and scenography agency founded by Sara Noel Costa de Araujo in 2014. SNCDA deploys its energy and strength in a quest for renewal by questioning the civic role of architecture in its landscape. Through projects of different scales and forms, both real and theoretical, made of bricks or on paper, it experiments through agency research, curation and the design of exhibition architectures. The agency develops, designs, constructs and makes buildings, public spaces and furniture, with the aim of fostering an ambitious, generous and inclusive conception of the world.

Jan Minne began working as a garden and landscape designer in Brussels in 2005. During his travels, he developed a great passion for the enormous wealth of plants he discovered both in nature and in botanical collections and gardens. As a self-taught gardener, he has acquired an in-depth knowledge of botany and the history of gardens and garden architecture which form the basis of his work.

The group brings together the sensitivities and approaches that Studio SNCDA and Jan Minne develop in relation to a site of intervention. Their collaboration is an opportunity to reflect on and experiment with space and the way it is inhabited, as well as the landscape, approached through the idea of the garden – hortus conclusus – an archetypal and ideal place.

Plants

Family of different kind of plants: low growing perennials (thorny burnet, sandwort, pearly everlasting, rock rose, silver sage); grasses (mediterranean false brome, pheasant’s tail grass, leatherleaf sedge, fine-leaved sedge, white cloud muhly grass); shrubby perennials (false dittany, wire vine, white broom, yarrow ‘moonshine’, red hot poker ‘ice queen’, purple loosestrife, matrona stonecrop), accent plants (bronze fennel, great mullein, white sagebrush ‘Valerie Finnis’, silver mound wormwood, cardoon, rattlesnake master, sea holly ‘big blue’, common fennel, lavender ‘papillon’, sea lavender / statice, russian sage ‘blue spire’, purple-leaved sage, purple stonecrop, houseleek ‘dark beauty’, houseleek ‘silberkarneol’, olympic mullein, giant sea holly ‘physic purple’, cotton thistle, moon carrot).

Low-growing perennials

Sarcopoterium spinosum (Sempervivum ‘Feldmaler’, ‘Jubilee’ and ‘Silberkarneol’);
Arenaria tetraquetra ssp. Granatensis (Cerastium tomentosum columnae);
Anaphalis Triplinervis
Helianthetum – ‘The Bride’
Salvia Argentea.

Grasses

Brachypodium retusum;
Anemanthele lessoniana;
Carex buchananii;
Carex tenuiculmis;
Muhlenbergia sericea – ‘White Cloud’

Shrubby perennials

Ballota pseudodictamnus (Stachys byzantina silver carpet, Artemisia powis castle);
Muehlenbeckia ephedroides;
Retama sphaerocarpa;
Achillea – Moonshine.
Kniphophia – Ice Queen.
Lysimachia Astropurpurea;
Sedum Matrona.

Accent plants

Foeniculum giant bronze.
Verbascum thapsus (Sempervivum sprite, Sempervivum dark beauty, Ballota pseudodictamnus, Yucca Rostrata).
Artemisia ludoviciana ‘valerie finnis’;
Artemisia schmidtiana ‘Nana’;
Cynara cardunculus;
Eryngium yuccifolium;
Eryngium zabelli ‘Big Blue’;
Kniphofia Ice Queen;
Foeniculum vulgare;
Foeniculum vulgare ‘Giant Bronze’;
Helichrysum italicum;
Lavandula stoechas ‘Papillon’;

Limonium latofolioum;

Perovskia atriplicifolia ‘Blue Spire’;
Salvia officinalis ‘Purpurascens’;
Sedum spathulifolium ‘Purpureum’;
Sempervivum ‘Dark Beauty’;
Sempervivum ‘Silberkarneol’;
Verbascum olympicum;
Eryngium Pandanifolium – Physic Purple ;
Onopordum Nervosus ;
Seseli Gummiferum.

Materials

Mixture of earth and pozzolan (soil), combination of metallic elements (objects).